And the first distance for the most part goeth all by distickt’~ or coi~ples of verses agreeing in one cadence, and do pass so speedily away and so often return again as their turn is never lost, nor out of the ear, one couple supplying another so ... suddenly. This proportion, Puttenham adds, is “the most vulgar [native] proportion of distance or situation employed by Chaucer in his Canterbury tales and John Gpwcr in all his works”
a bsi, munzer. (2010). The Function of the couplet in English Poetry: A Case Study of the Renaissance Patterns \. مجلة بحوث کلية الآداب . جامعة المنوفية, 21(83), 1-26. doi: 10.21608/sjam.2010.136356
MLA
munzer a bsi. "The Function of the couplet in English Poetry: A Case Study of the Renaissance Patterns \". مجلة بحوث کلية الآداب . جامعة المنوفية, 21, 83, 2010, 1-26. doi: 10.21608/sjam.2010.136356
HARVARD
a bsi, munzer. (2010). 'The Function of the couplet in English Poetry: A Case Study of the Renaissance Patterns \', مجلة بحوث کلية الآداب . جامعة المنوفية, 21(83), pp. 1-26. doi: 10.21608/sjam.2010.136356
VANCOUVER
a bsi, munzer. The Function of the couplet in English Poetry: A Case Study of the Renaissance Patterns \. مجلة بحوث کلية الآداب . جامعة المنوفية, 2010; 21(83): 1-26. doi: 10.21608/sjam.2010.136356