At the background of David Hare’s plays twentieth century political third world events loom large: The Chinese revolution lies at the bClckground of Fanshen, (1967) India’s independance from British Colonial rule and the Suez crises in plenty, (Hare 1978) and the Vietnam War in saigon: Year of the Cat (1983). Hare (1986 vii) justified his recurrent use of third world political events in his plays when he says ”if you write at all about the East, you attract $uch gratitude from people who live there”. Fanshen. a clear product of his interest in the East, possess ~s 3; political line showing how communism replaced feudalism in a small dramatized by Ch’ d ~he 1940’S. Unlike by critics as an e cha drama nd about a major political change undergone by the Chinese people, Plenty raised a lot of controversy among critics regarding its classification. According to Young (1978 13)
Gad Allah, AZZA. (1992). International politics in David hare’s plenty/. مجلة بحوث کلية الآداب . جامعة المنوفية, 3(8), 1-24. doi: 10.21608/sjam.1992.144487
MLA
AZZA Gad Allah. "International politics in David hare’s plenty/", مجلة بحوث کلية الآداب . جامعة المنوفية, 3, 8, 1992, 1-24. doi: 10.21608/sjam.1992.144487
HARVARD
Gad Allah, AZZA. (1992). 'International politics in David hare’s plenty/', مجلة بحوث کلية الآداب . جامعة المنوفية, 3(8), pp. 1-24. doi: 10.21608/sjam.1992.144487
VANCOUVER
Gad Allah, AZZA. International politics in David hare’s plenty/. مجلة بحوث کلية الآداب . جامعة المنوفية, 1992; 3(8): 1-24. doi: 10.21608/sjam.1992.144487